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Clef: BassBass
Participation: 1%-49%
Unique Accidentals: 3-4
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HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)
edward.maurath
4:17 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
Violoncello Bass 24 0 5 6 97%
Contrabass Bass 24 0 5 5 88%
Dorinda 17 0 6 6 75%
Violins
1		 Treble 22 0 7 7 56%
Contrabasses Bass 17 0 4 3 47%
Violoncellos Bass 17 0 4 3 47%
Bassoon Bass 10 0 2 3 13%
Oboe Treble 14 0 2 5 13%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
HWV63A0 - Judas Maccabeus (1746) Overture in g minor
edward.maurath
11:07 Est. Play
Time
186 Measures
2,568Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
Viole 18 0 4 8 83%
Contrabassi Continuo Bass 25 0 10 10 81%
Violoncelli Continuo Bass 25 0 10 10 81%
Bassoon Continuo Bass 26 0 10 10 45%
Oboe 1 Treble 22 0 8 9 45%
Organo Treble 16 39 5 9 40%
Bass 20 1 5 9 41%
Cembalo Continuo Treble 17 42 5 6 30%
Bass 20 4 3 6 30%
Oboe 2 Treble 18 0 5 7 26%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)
edward.maurath
4:43 Est. Play
Time
51 Measures
1,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
Violoncelli (Continuo) Bass 21 0 7 4 97%
Cemballo
(Continuo)		 Treble 26 37 9 5 90%
Bass 33 23 12 6 96%
Violins I



 Treble 22 0 6 4 95%
Violins II



 Treble 21 0 5 4 91%
Tenor
as Goffredo		 14 0 5 6 60%
Bassoon
(Cembalo)		 Bass 18 0 4 4 47%
Oboe Treble 18 0 5 4 47%
 
Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio
Armin Thomas
7:43 Est. Play
Time
280 Measures
2,886Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
Violas 21 0 10 7 76%
Violins
2		 Treble 27 0 11 8 75%
Horn
in
F		 Treble 22 0 7 8 47%
1.2.
Clarinet
in
B		 Treble 29 2 10 6 47%
Flute Treble 24 0 10 8 42%
Trumpet
in
B		 Treble 24 0 7 8 38%
Oboe Treble 32 0 13 7 36%
Solo
Viola 		35 14 16 10 27%
Solo
cello		 Bass 32 7 17 10 24%
Timpani Bass 11 0 4 6 12%
 
"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711
edward.maurath
1:46 Est. Play
Time
96 Measures
1,603Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo

 Treble 24 71 5 8 85%
Bass 25 50 6 8 97%
Violoncello (Continuo) Bass 18 0 4 7 53%
Violin Treble 18 0 4 7 45%
Treble 17 0 4 7 45%
Contrabassi (Continuo) Bass 18 0 4 6 44%
Violoncelli (Continuo) Bass 18 0 4 6 44%
Armida

(Soprano)		 14 0 3 8 43%
Viola 14 0 4 4 43%
Oboe Treble 12 0 0 7 30%
Treble 13 0 2 7 30%
Bassoon
(Continuo)		 Bass 14 0 0 6 27%
 
Händel: "Samson," (oratorio), "Let the Bright Seraphim"
edward.maurath
3:59 Est. Play
Time
76 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
Violas 17 0 5 6 72%
Vln
2		 Treble 23 0 6 6 72%
Harpsi Treble 17 15 3 7 71%
Bass 20 16 3 4 61%
Israelite Woman Treble 16 0 4 9 70%
Celli Bass 20 0 4 5 59%
Kontrebaß Bass 20 0 4 5 59%
Trumpet Treble 10 0 1 8 51%
Organ
with out
pedals (Continuo)		 Treble 16 12 5 5 22%
Bass 15 8 3 3 22%
 
"Allor che sorge astro lucente" for Rodrigo from "Rodrigo," HWV 5
edward.maurath
5:10 Est. Play
Time
79 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 27 56 8 6 99%
Bass 23 30 6 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 27 56 8 6 99%
Bass 23 30 6 6 100%
Violoncello (Continuo) Bass 21 0 5 6 99%
Giuliano 14 0 5 5 61%
Contrabassi (Continuo) Bass 14 0 3 4 30%
Violini Treble 16 0 6 5 30%
Violoncelli (Continuo) Bass 14 0 3 4 30%
 
"Allor che sorge astro lucente" from "Il Pastor Fido," HWV 8 (1712)
edward.maurath
2:54 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 28 41 9 6 98%
Bass 19 11 5 6 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 28 41 9 6 98%
Bass 19 11 5 6 98%
Violoncello (Continuo) Bass 18 0 5 6 98%
Soprano
as Mirtillo		 14 0 5 4 69%
Contrabassi (Continuo) Bass 13 0 3 5 10%
Viole 8 0 0 5 10%
Violini 1 Treble 15 0 5 5 10%
Violini 2 Treble 10 0 2 5 10%
Violoncelli (Continuo) Bass 13 0 3 4 10%
 
HWV56N38 - "How beautiful are the feet" - 1741
edward.maurath
5:30 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
Bass 16 27 5 7 96%
Violini Treble 27 25 9 8 91%
Contrabasses Bass 16 0 3 7 82%
Violoncelli Bass 18 0 3 7 82%
Soprano 17 0 6 6 79%
Cemballo Treble 18 26 5 6 46%
Bass 16 14 4 6 46%